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Showing, Part One
If you've ever taken a class in creative writing, you've no doubt heard the teacher repeat the phrase, "Show, don't tell" over and over again. While there are few hardest rules in creative writing, this persistent little mantra might be the ultimate. Teachers and writers who write about writing spout it out all the time, but what does it mean anyway? After, isn't all writing really "telling" on some level?
It's best to view "showing" not as a single technique, but a summation of the most effective writing techniques. If we know anything about poetry, it's that the best poetry usually conjures specific and concrete images. Beyond language itself, images are the meat and bones of poetry. So goes most of prose as well. The prose writer has the added duty of creating situations and characters that seem real and believable.
Showing invites the reader into the world of out poem and story. If the reader can see, smell, taste, and feel the world through our writing, the reader is more
How to Accept A CritiqueFirst, there's a common misconception that I want to address before I even begin. I've heard way too many people try to claim that they don't write for an audience or that they only write for themselves. In my mind, this usually translates to something like, "You or someone else gave me a critique I don't agree with, so I'm trying to justify why I'm going to ignore it." You're going to have a hard time convincing me that you don't care about anyone else's opinion of your work if you PUBLICALLY SUBMIT IT ONLINE.
I don't know if you've noticed, but dA (and any other site like it) is essentially structured to be used for peer review. That's the main point of the ability to leave comments in the first place. If you're really only writing for yourself, you would keep your stories in a shoe-box hidden under your bed. And, no, the "I was posting it so my very bestest friend Mary Sue could read it" excuse doesn't fly either.
Active and Passive Voice
Active voice occurs when the subject or agent in the sentence performs the action, often towards an object. For example, let's look at the following sentence written in active voice:
Katie spilled the milk.
In this sentence, Katie is the subject, and she performs the action (spilling) on the direct object (the milk.) The most obvious way to spot active voice is through the use of active verbs, which are simply verbs that express actions. In most cases, the sentence will take on the simple form of the tense it's in, whether past, present, or future.
In passive voice, the object being acted upon is emphasized over the agent. A passive version of the previous sentence would look like this:
The milk was spilled by Katie.
In this sentence, our object (the milk) appears before the action (was spilled) and the agent (Katie.) You will also notice that this sentence is in the progressive fo
Tips For the Novice
Tips For The Novice
It's an all-too common occurrence on my periodic forays into the world of internet poetry - writing weakened by a lack of fundamental knowledge concerning the essence of poetry writing. There are no rules set in stone about creative writing. The writer that strikes new trails can make a lasting impact on the world of poetry, but the chances of a writer stumbling upon golden words without a solid knowledge base are slim to none. The following tips for novice writers are intended to help shore up those fundamentals, to help the young writer breathe the essence of life into their poems, and to better share that essence with the reader.
The most important element you can inject into your poetry is imagery. Imagery is made up of sense data: color, sound, smell, temperature, the feeling of physical contact. When we remember anything with any vividness, we remember in images. When we fantasize or hallucinate, it is i
Tips On Self-Publishing
Tips On Self-Publishing
I recently decided to self-publish a compilation of my work. It is something that I've wanted to do for a long time, but have always put off for several reasons; the imagined cost, basic lethargy in editing the damn thing, and laziness when it came to mail-outs to publishers. If this sounds like you so far, you might be able to benefit from a few things I learned along the way. Below I will discuss almost everything you will need to know before jumping into a self-publishing project, some pitfalls to avoid, and approximately what to expect to come out of your pocket. (I'm talking about money, pervert.)
Once I decided I was definitely going forward with this project, my first step was to find publishing houses/printers that offered the services that I wanted. There are many resources for this, but I found the below link most helpful in finding presses that would actually not only turn around a quote quickly,
PE: Literature Critique TipsAs part of Project Educate Critique week, the Community Volunteers would like to share more art specific elements to consider whilst giving good critique.
Today we are looking at the Literature gallery, with our Top Tips.
Before you start
READ the piece all the way through.
Read it again, making notes of what you would like to point out in your critique.
Stay Objective- you are critiquing the piece not the person.
These tips are areas which aren't just necessary in critiquing others' work, but also when self-critiquing your own writing. This is one person's suggestions and I welcome any further tips in addition.
A good opening. The opening to any form of writing doesn't necessarily need to involve a physical explosion, but it needs to have an initial hook; something to entice the reader in. It needs to be clear, something that
Critique Personality TypesI thought I'd type up something on the type of people you're likely to meet in critique groups and how to handle them. For those wondering, I am a Pit Bull Trooper.
Feel free to add other types; I don't think I got them all.
Also, feel free to donate so I can buy another Premium Membership: http://Droemar.deviantart.com/?givepoints
The Toxic Snark
Most likely to be: Parents, self-described elitists, jerks in general
"When are you going to write for real? Why are you wasting your time writing this junk?"
Attributes: This person is inclined to hate your stuff. Without fail. They don't read what you write, or they read "real" literature. And your work is so far below what they like, you're obviously in desperate need of their opinion and correction, which is largely that you should abandon what you're working on and start writing their idea of a story. They hate mainstream, or hate a genre
Tips For Editing Poetry
***Tips For the Novice (and otherwise) - Editing***
The blanket statement, "Editing/revision harms poetry," is simply wrong. It's akin to a photographer claiming that focusing the lens ruins the emotion of the photograph. It is the details, and the appropriate attention paid to them, that separate a photograph from a snapshot. Imagine a film maker slapping every frame he shot up on the screen without editing for continuity, for pacing, for effect. What a disaster. That is not to say that editing can't be destructive - there is such a thing as poor editing, just as there is poor writing. But done correctly, done well, it is one of the most important tools in the poet's shed.
Never shy away from editing/revision. Some young writers feel that to revise is to kill the spirit of the poem. This notion serves to sacrifice the potential of a poem for an ideal that
Metre Learning GuideSo. Metre.
It has become a dirty word in some poetry circles.
It conjures images of withered, grey-haired men laboriously counting out beats and stresses whilst coughing up phlegm because of all the dust in their cramped and quasi-arcane libraries.
It really isn't all THAT bad, trust me.
So, without getting too 'old-man' technical - What is metre? what is it good for?
And, importantly, how does one use it?
Well, let's see if we can come up with some workable and easily understood answers by the end of this.
#1: What is metre?
Technical Language: The most well known metre, 'Accentual Syllabic Metre' is the rhythmic arrangement of syllables and patterns of stresses in a poetic line.
Translation: Metre is a poetic device that allows you to consciously orchestrate the flow of rhythm in a poem by paying attention to the natural rise and fall of the spoken word, and how to align those patterns of word-emphasis in an effective way.
#2: What is metre good for?
Basically, metre is
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